Kim and North's mother-daughter outing comes just a day after they served up some looks while visiting the Balenciaga store and Jean-Paul Gaultier headquarters in Paris. For the occasion, North gave a sweet nod to her dad by donning a varsity jacket from the Donda rapper's former streetwear label, Pastelle, that he rocked at the 2008 American Music Awards.
"This is something I've seen more and more over time," Kwateng-Clark said. "Naturally as a human, initially it was visceral, it was like 'Who told you about this? Who did it? Who did your hair, because in your circle, more than likely I don't know anyone who would do that.'"
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As Jacques said: "I remember when I wore cornrows in my senior year in high school. I grew up in a really white, Jewish neighborhood, and I remember everyone being like, 'Why did you do that to your hair?' It was like this thing where it was like, 'Oh that's weird.' Then, a white person does it, and now it's accepted. It releases the term ghetto. It's no longer part of a ghetto look. It's like bamboo earrings."
"No. If I looked like a white model, and a hairdresser said I want to do cornrows, I would be questioning that," Kwateng-Clark said. "We're really in a very thick racial climate right now. It's like you want to claim certain elements of the African-American aesthetic, but you don't want to claim other things we deal with. You can feel parts of us, but at the end of the day, you're not a Black woman."
"For me, what I've seen out there, it's not necessarily okay because they're not crediting it," Jacques said. "But if they were to credit it, and be like 'I love this style because it came from this place,' then I wouldn't mind it. Because people can like what they like. I can't say just because you're white, you can't wear cornrows, but I want you to know the history and where it comes from."
Despite the loss of many people close to her, White told "Sunday Morning" she wasn't afraid of death herself. "Not at all. My mother had the most wonderful outlook on death. She would always say, 'Nobody knows. People think they do, you can believe whatever you want to believe what happens at that last moment, but nobody ever knows until it happens.' But, she said, it's a secret. So, all growing up, whenever we'd lose somebody, she'd always say, 'Now, they know the secret.'"
The Hall became the South's first fully-integrated music venue, despite Louisiana's segregation law making integrated entertainment illegal. In 2014 Sandra Jaffe told "Sunday Morning" that when her husband (who played the tuba) joined the band on stage, they both had to face the music. "Allan and I would be at night court many times because of it," she laughed. "With Judge Babylon banging on his gavel, saying, 'If you think we're gonna let you carpetbaggers, you know, we don't mix cream with our coffee in this here town!'"
Tutu was a member of The Elders, an international organization of human rights advocates founded by Mandela. As archbishop he continued to pursue LGBT rights; ordained women priests and promoted gay clerics; and supported same-sex marriage. "I would not worship a God who is homophobic, and that is how deeply I feel about this," he said in 2013. "I would refuse to go to a homophobic heaven. No, I would say, 'Sorry, I would much rather go to the other place.'"
"It was just something I tried one night. I was just sitting at the typewriter, and I thought, 'Well, let me give this a try. What would it be like if you could get a vampire to tell you what his experiences were, like an interview with the vampire?'"
Their evolution as a prog-rock group began with their second album, "Days of Future Passed," which featured the Mellotron (an analog synthesizer which incorporated tape loops). The album included orchestral arrangements of classical compositions, interpolated with rock songs, and merged with the band on "Nights in White Satin." Though released in 1967 (including on quadraphonic reel tape), that song would not reach No. 2 on the U.S. Billboard charts until 1972, helped by heavy FM radio airplay, sparked by the playlists of iconoclastic DJs.
In addition to drums, Edge contributed poetry to "Days of Future Passed." As he told Rolling Stone, "We had a problem as we were writing the songs. We had 'Dawn Is a Feeling' and 'Peak Hour,' but there was a big gap until 'Nights.' Being musicians, we didn't have a lot of experience after dawn and before midday! So, I was trying to write a song that spanned that [period], called 'Morning Glory,' with lyrics between morning and evening. Then I went to the guys and said, 'Can you do anything with this?' I spoke the lyric out to them and they looked at me and said, 'There are just too many words. There's no way you can sing this!' Then Tony Clarke said, 'Oh, make it a poem!'"
In 2012 "Sunday Morning" correspondent Rita Braver asked the then-82-year-old about his starring role in the Broadway play, "Grace": "I just think a lot of people as successful as you are, they wouldn't put themselves through this, out there every night."
The phrase "the struggle is real" works for young people because it's semi-ironic. They use it when they don't have enough change for fast food, or perhaps forgot their Netflix password and can't watch the latest season of Black Mirror. But at 40, the struggle may actually be real, and so it's hardly appropriate to use this slang. And for more corny phrases from your past, check out The Best Slang Terms From the 1980s That Aren't Cool Today. 2ff7e9595c
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